Teacher’s Guide for
by Nikki Grimes
Pre-reading:
If possible, show students an example of a tapestry before reading Aneesa Lee. Discuss the colors the artist chose (and why), the design and texture. Next, show students the cover of the book and the illustration that follows the “weaving words” page. Brainstorm all the words that students may already be familiar with about weaving like yarn, spinning wheel, thread, and loom. Introduce the other terms if you’re working with students in higher grades.
Comprehension Questions
Knowledge:
Comprehension:
Application:
Analyze:
Synthesize:
Evaluate:
Multiple Intelligence Projects for
by Nikki Grimes
Illustrated by Ahsley Bryan
Verbal/ Linguistic
In Aneesa Lee and the Weaver’s Gift a glossary is necessary to help the reader understand the piece. Create a glossary of at least six words for a skill or hobby of your own. (For example: a ballerina would surely need to know: arabesque, tutu, plies, etc.)
And/Or
Fill out the worksheet on imagery below to learn more about this poet’s tools.
Logical/ Mathematical
Because weavings should be, “ Computed inch by inch, / Not left to chance” an artist plans out the piece before sitting down to a loom. In that spirit, plan the design of your own tapestry using graph paper and colored pencils.
Visual/ Spatial
Create an illustrated picture to go along with your glossary. Try to use all the words in your list if possible! Be sure to label them in a neat way to avoid confusion.
Body/Kinesthetic
Create a simple loom using Styrofoam trays (usually free at the grocer in the meat or produce department). Using a ruler, make even hash marks every inch or so along two sides of the tray. Then, using scissors cut about 1” into the tray to hold the yarn. Secure the warp thread, and show student how to weave in and out. Then, continue the weave from row to row, or cut after each row leaving at least three inches to tie off later. Experiment! Play!
Musical/ Rhythmic
While students are working on their weavings, play a variety of musical pieces. Pick music with a variety of rhythms and moods (samba, classical, country, etc.). Then, discuss (or have students write a journal) about how the various music affected their art.
Interpersonal:
In the poem “Love Is Purple”, “ Her yarns express her deepest thoughts/ in variegated tints.” Rewrite the poem, changing the colors to the ones that you would pick if you were weaving. What about other emotions? Which colors would you choose for anger? Fear? Hope?
Intrapersonal:
Memorize one of the poems from Aneesa Lee and the Weaver’s Gift. (And DON”T just choose the shortest one!). Instead of reciting in front of the whole class, students will share their poems in pairs. Afterwards, write a journal about the process of memorizing the poem (the who, what, when, where, how and why) focusing on what made it difficult or easy. Also, students should respond to how knowing the poem by heart helped them understand the meaning of it more.
Teacher’s Guide provided by www.TracieVaughnZimmer.com
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Imagery
by Nikki Grimes
Illustrated by Ashley Bryan
Imagery is when a poet uses their senses to describe something. Find examples and sort them into the sense where they belong.
SEE HEAR SMELL
TASTE TOUCH
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